Friday, September 21, 2018

Five on Friday - Around Eugene / Whiteaker Neighborhood












Tim & I been emptying the storage unit all week 
& getting ready to have a yard sale.

During a break, we had a leisurely walk
around one of our favorite eccentric neighborhoods, 
Whitaker.

Looking forward to getting back to some artwork soon, 
but probably not until InkTober time (October 1).

Hope to see you then.



Friday, September 14, 2018

Wild Abandon

India ink on toned paper

Photograph
Maude Fealy as Mercia / early 20th century
commons.wikimedia.org

This drawing on toned paper was done with India ink and a palette knife.
My reference was a photo of silent film actress Maude Fealy.
I've been trying to find new ways to use inks 
because InkTober is right around the corner.

The beauty of using these old portraits is that they are abundant
on WikiCommons.
 And no one really knows who these people are.

So they are great to use as a starting point with drawing on paper, in a journal
or just painting.

And when we don't have to worry about getting a likeness,
maybe we're able to create with a little more abandon.

Mary Pickford
Silent Film Actress
Tess of the Storm Country - 1914

At least that works for me.

Hope you have a safe, happy weekend!



Wednesday, September 12, 2018

Black & White and a Pop of Color


Running Late
Batik - India ink on rice paper / 9X12

Yesterday, it rained for the first time since June.
This morning, the color of the sky is gray like the color of this batik,
so it seemed like a good time to post it.

When you batik,
the final ironing off of the wax
can reveal surprises
like weak values (tones), paint seepage,
and even the dreaded, "What was I thinking?" senerio.

With this one, the image seemed a little wonky.

Happily, doing a batik with India ink
 is not that much different
than doing one with watercolor paint
because you can still tweak it.

 As long as you remove most of the wax,
 you can go back into the rice paper & make corrections with ink on a brush.
It's good to keep the brush "dry," though,
so you can control the spread of the ink.

. . . . . . .

And, last week, I decided to try putting alcohol ink on rocks.

Since the rocks were a little porous, they were primed with
a coat of white acrylic paint.

When dry, the alcohol inks were splashed on them
 and moved around a little with blending solution / rubbing alcohol (I used both).


Alcohol inks on rocks

What to do with these rocks, I don't know...
I think I like the look of doodling on rocks a little more,
but these were nice and relaxing to do.




Wednesday, September 5, 2018

Pencil Dust



This elephant was drawn in pencil, lightly washed in watercolor,
 and then shaded with powdered graphite on a Q-tip.




 Finally, he was outlined with a charcoal pencil.

For the second drawing,
I sprinkled some powdered graphite
onto watercolor paper, tipped the paper at a slight angle,
 and then lightly sprayed it with rubbing alcohol.

Water would probably produce the same effect,
but I already had a spray bottle filled with alcohol.

It created a loose pattern something like this.

This is not the pattern used for the drawing below. I forgot to take a pic of that one.

Then I backed away from it for a look -
kind of like searching for pictures in clouds.
It looked like a bird coming in for a landing.



 I tried to get a good balance between looseness and tightness in the drawing, 
but lost my way
when I started fighting with those feathers.

We'll let this one go and move on.

Cobie and I are going to go outside
and splash some alcohol ink on rocks
to see what happens.

Hope to see you in a few days.